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Dan was the recipient of the 2015 Jurors Choice Award for his painting Siwash, at the Carmichael Juried Landscape Exhibition, OMAH.
Dan Nuttall – Artist Biography
Dan was born and raised in North Vancouver, British Columbia, where his first job was working as a Biological Interpreter at the Vancouver Public Aquarium. His early education in the biological sciences, particularly marine biology, set into motion a lifelong passion for wild spaces and the creatures that dwell within them.
Moving to Ontario in 1989 to pursue additional education, Dan continued to build on his background in the natural sciences, his academic and professional life focusing on human and non-human animals and issues of space, ecology, design and sustainability. An emerging outsider artist Dan’s artwork stems from his experiences in both the arts and sciences, ranging from the study of animal form and animal perspective to ecological art, explorations of otherness, and the meaning of landscape. Recent paintings have used form from abandoned animal exhibits found in zoos to create“natural” landscapes. Dan works primarily in acrylic on canvas and board but enjoy bringing into being via sculpture, mixed media, installations and oil pastels.
Dan’s work may also be found at:
http:/www.dandoesdesign.com/
And on Facebook at: https://www.facebook.com/dandoesdesign1572002309752686/
Dan was the recipient of the 2015 Jurors Choice Award for his painting Siwash, at the Carmichael Juried Landscape Exhibition, OMAH.
Dan Nuttall – Artist Biography
Dan was born and raised in North Vancouver, British Columbia, where his first job was working as a Biological Interpreter at the Vancouver Public Aquarium. His early education in the biological sciences, particularly marine biology, set into motion a lifelong passion for wild spaces and the creatures that dwell within them.
Moving to Ontario in 1989 to pursue additional education, Dan continued to build on his background in the natural sciences, his academic and professional life focusing on human and non-human animals and issues of space, ecology, design and sustainability. An emerging outsider artist Dan’s artwork stems from his experiences in both the arts and sciences, ranging from the study of animal form and animal perspective to ecological art, explorations of otherness, and the meaning of landscape. Recent paintings have used form from abandoned animal exhibits found in zoos to create“natural” landscapes. Dan works primarily in acrylic on canvas and board but enjoy bringing into being via sculpture, mixed media, installations and oil pastels.
Dan’s work may also be found at:
http:/www.dandoesdesign.com/
And on Facebook at: https://www.facebook.com/dandoesdesign1572002309752686/
The Quail
Watercolour on paper. 18”x24”
Please contact the gallery to inquire about artwork from Dan’s exhibition.
About To Be Sold (Turkey)
Watercolour on paper. 6”x8”.
Varmint
Oil pastel on plywood. 15”x20”.
The Weasel
Acrylic on plywood. 16”x16”.
Combine
Acrylic on cardboard. 11”x18”. SOLD
Fallen Fruit on Lawn I
Acrylic on wooden panel. 12”x12”.
Fallen Fruit on Lawn II
Acrylic on wooden panel. 12”x12”.
View From The Train I
Acrylic on paper. 12”x12”. (12”x36” total triptych)
View From The Train II
Acrylic on paper. 12”x12”. (12”x36” total triptych)
View From The Train III
Acrylic on paper. 12”x12”. (12”x36” total triptych)
The Fruit Tree
Acrylic on cardboard. 12”x16”.
Deadhead, Thistle
Acrylic on cardboard. 16”x12”.
Coursing
Acrylic on wooden panel. 12”x12”. (12”x24” total diptych)
Coursing
Acrylic on wooden panel. 12”x12”. (12”x24” total diptych)
Fields of Gold I
Acrylic on wooden panel. 36”x48”.
Fields of Gold II
Acrylic on wooden panel. 36”x48”.
Symbolic Stream I
Acrylic on wooden panel. 36”x48”.
Symbolic Stream II
Acrylic on wooden panel. 36”x48”.
Dan Nuttall: Ruralia Installation View
(left to right) Fields of Gold I, Fields of Gold II, Fallen Fruit I and Fallen Fruit II.
Dan Nuttall: Ruralia Installation View
(left to right) Fields of Gold I, Fields of Gold II, Fallen Fruit I, Fallen Fruit II and The Weasel.
Dan Nuttall: Ruralia Installation View
(left to right) The Weasel, Combine (SOLD) Varmint, The Quail, About To Be Sold (Turkey) a series of Bird Tongues and Detroit Pheasants.
Dan Nuttall: Ruralia Installation View
(left to right) Varmint, The Quail, About To Be Sold (Turkey) a series of Bird Tongues and Detroit Pheasants.
Dan Nuttall: Ruralia Installation View
(top to bottom) The Quail, About To Be Sold (Turkey) a series of Bird Tongues and Detroit Pheasants.
Dan Nuttall: Ruralia Installation View
(left to right) Deadhead, Thistle and Fields of Gold I.
Dan Nuttall: Ruralia Installation View
(left to right) The Fruit Tree, Symbolic Stream I and Symbolic Stream II.
Dan Nuttall: Ruralia Installation View
(left to right) Symbolic Stream II, View From The Train I, II and III.
Dan Nuttall: Ruralia Installation View
(left to right) Fields of Gold I and Coursing.
Thunder Cloud
Acrylic on canvas. 40" x 60".
A Duck and A Hunter Walk Into A Clearing... (diptych)
Acrylic on archival paper. 22" x 30" each.
Bruised Cloud (diptych)
Acrylic on canvas board with backing. 16" x 20" each.
Van Gogh's Rabbit
Acrylic on archival paper. 22" x 30".
Red Valley
Acrylic on archival paper. 22" x 30".
Competitive Exclusion, (triptych)
Acrylic on plywood panel. 13.75" x 17.5" each.
Competitive Exclusion, (triptych) detail.
Acrylic on plywood panel. 13.75" x 17.5" each.
Competitive Exclusion, (triptych) detail.
Acrylic on plywood panel. 13.75" x 17.5" each.
Competitive Exclusion, (triptych) detail.
Acrylic on plywood panel. 13.75" x 17.5" each.
Siwash
Acrylic on wood panel. 36"x48".
Please contact the gallery to inquire about Dan's work.
Shore Lines
Acrylic on wood panel. 48"x96".
Three Birds Approaching An Empty Nest (quadriptych)
Acrylic on archival paper. 11" x 15" each.
A Series Of Gentle Shark Attacks
Acrylic on wood. 10"x10" each.
Cry Me Some Rivers
Acrylic on wood. Diptych. 30"x24" each panel.
Mimesis 1
Acrylic on wood panel. 36" x 36".
Sand Spit/Ridge
Acrylic on wood. Diptych. 24"x30" each panel.
Mimesis 2
Acrylic on wood panel. 36"x36".
Agave Landscape
Acrylic on wood. 24"x30".
Mimesis 3.
Acrylic on wood panel. 36" x 36".
Mexican Landscape
Acrylic on canvas board. Diptych. 16"x20" each panel.
Diving Loon
Acrylic on wood. 16"x16".
Bone Stream (quadriptych)
Acrylic on archival paper. 11" x 15" each.
Bone Stream (quadriptych) detail.
Acrylic on archival paper. 11" x 15" each.
Bone Stream (quadriptych) detail
Acrylic on archival paper. 11" x 15" each.
Bone Stream (quadriptych) detail
Acrylic on archival paper. 11" x 15" each.
Bone Stream (quadriptych) detail
Acrylic on archival paper. 11" x 15" each.
Intersections (quadriptych)
Oil pastel on archival paper. 9"x12" each panel.
Intersections (detail)
Oil pastel on archival paper. 9"x12". Upper left panel.
Tyndall Streams
Acrylic on archival paper. 8"x12" each panel.
Tyndall Streams (detail)
Acrylic on archival paper. 8"x12".
Installation view of Landscapes: Reading and Memory
(left) Three Birds Approaching An Empty Nest, (right) Shore Lines detail
Installation view of Landscapes: Reading and Memory
(left to right) Agave Landscape, Mimeses I, Mimesis II, Mimesis III.
Installation view of Landscapes: Reading and Memory
(left to right) Mimesis II, Mimesis III, Siwash.
Installation view of Landscapes: Reading and Memory
(top) Mexican Landscape Diptych , (bottom) Snag Stream Diptych
Installation view of Landscapes: Reading and Memory
(top) A Series Of Gentle Shark Attacks, (centre left to right) Diving Loon, Intersections, Tyndall Streams, (bottom left to right) Pine Plantation, Bone Stream.
Installation view of Landscapes: Reading and Memory
(left) Sand Spit/Ridge Diptych, (upper right) Cry Me Some Rivers Diptych, (bottom right) Black Cloud I.
Installation view of Landscapes: Reading and Memory
(left) Shore Lines, (right) Sand Spit/Ridge Diptych.